// Cinema Automation
Our indigenously manufactured automation system for cinema lighting — built in India, for Indian cinema operators.
// Cinema Automation
Most Indian cinema operators were relying on imported or manually configured lighting control systems — expensive, complex, and not designed for how Indian cinemas actually operate. We built the Cine Aryan Automation PLC Interface from scratch, specifically for Indian cinema environments.
It handles the complete lighting lifecycle of a show — from house lights at full for incoming audiences, controlled dimming during trailers, full blackout for the feature, interval restoration, and emergency override if needed. All automated, all programmable, all integrated with your TMS.
Indigenously manufactured in India. That means faster delivery, local support, and a product that's been calibrated to the realities of Indian cinema infrastructure — voltage variations, hall sizes, and operator workflows.
// A Typical Show
Here's how the PLC Interface manages a single screening, start to finish, without an operator touching a single switch.
As audiences enter and find their seats, house lights remain at full brightness for safety and comfort.
As trailers begin, the PLC triggers a smooth, programmed dimming curve — no jarring cuts, no manual fader operation.
Full blackout engages automatically as the main feature starts, synced with projector cues via TMS integration.
Lights return to a comfortable interval level automatically, then dim again as the second half begins.
House lights restore to full as credits roll, timed to the content, giving the audience a smooth exit experience.
At any point in this sequence, an emergency trigger instantly overrides every other rule and brings lighting to full for audience safety.
Calibrated for the voltage fluctuations common in Indian electrical infrastructure — not designed for a different grid and retrofitted.
No waiting on an overseas manufacturer for firmware updates or replacement units. We're a phone call away.
Built around feedback from real Indian cinema operators — not a generic global lighting product adapted after the fact.
Local manufacturing means we can deploy across multiple screens without import duties driving unit cost through the roof.